Alice Neel (1900–1984) was the most independent-minded painter in New York, “a grande, if often rude, dame” who turned her back on the art world to plant her flag in the neglected genre of portraiture. By the time her career took off in the 1960s, this ultimate bohemian had worked for the WPA, lived on welfare, had many lovers and four children—one died, one was confiscated by her in-laws—and never ceased painting with uncanny psychological insight. Her wordy, misspelling-ridden bio needed a much better edit than it got. Still, Neel’s fascinatingly contradictory, gloriously stubborn character shines through.
